Due to unforeseen circumstances, I couldn’t properly wish Uncle George a very happy 70th Birthday on Wednesday.  So, for George, HAPPY BIRTHDAY!!!  Here’s some video Q&A Footage from the Rue Morgue Festival Of Fear (and some viddy at the bottom from my brief introduction to the man).  We here at BACKWOODS HORROR LOVE ALL OF YOUR HARD WORK AND DETERMINATION.  He is not only a pioneer in horror filmmaking, or zombie filmmaking, but filmmaking in general.  He is a credit to the independent soul of the true filmmaking artist.  Cheers!

George A. Romero Q&A

Dario Argento and George A. Romero Q&A

Meeting him myself at a local comic shop HEROES.  Friggin’ awesome!


Ok, took a look at the new ...OF THE DEAD trailer over at Fangoria (see below).  What can I say…  this movie looks like it’s going to blow as much as DIARRHEA OF THE DEAD .  Come on Romero.  I love ya, I really do…but…you know…this is starting to get embarrasing.  Check the trailer to see what I mean.  Looks like a Sci-Fi Original.  Damn, I really was hoping for a return to form, some last hurrah, but this thing looks like ass.  DAMN!


More than likely.  As much of a Romero mark as I am, I can’t get behind his latest effort Diary Of The Dead.  It, well, it was just awful and it didn’t really FEEL like a Romero Zombie flick.  The characters weren’t well defined and the social commentary that generally permeates the original trilogy, one of the aspects that made them so damn good, was just slapping you in the face on this one.  Sorry Uncle George, that one was a real stinker.

Dimension Extreme, the company that brought us Diary of the Dead on DVD is also bringing us another film in the same vein, the UK’s ZOMBIE DIARIES, and I’ve got to say, this one looks like a winner.  It’s being hailed as the best zombie flick to come out of the UK…ever (let’s remember that 28 Days Later was NOT a zombie movie, it was a plague movie).  This is what Dread Central got out of Co-Director Michael Bartlett:

“Instead of making it a ‘documentary,’ we felt the Blair Witch format worked better — i.e., people trying to hurriedly document what they could for posterity. We saw a lot of areas that could be improved with this format, too.

For example, our film has music (which seems initially counter-intuitive but works a treat) and does not have annoying sequences with characters constantly arguing with each other. We also broke the story up and shot in Pulp Fiction style. It jumps across time lines and stories and does a pretty neat job of keeping the viewer’s attention, which we felt one single story wouldn’t achieve.

I made sure we did lots of [rehearsing] for this film and combined [that] with complete back-stories for the characters, as well as improv based around a script.


We also then cut the film to pieces in the editing suite. Kevin is a fantastic editor, and we put our egos aside and made sure we were blunt with one another from the scripting right through to the editing. Any dodgy exposition had to be axed. This had to be so real that you felt you were in this genuine ‘zombie world.’ Obviously we had to strike a balance, as at the end of the day this film is entertainment. I think we did that well, but time will tell if we did a good job. We had Mike Peel (The Descent) working on our special effects with two other great artists, and [everything] certainly comes across as very believable, even under the unforgiving eyes of a DV camera.”

This is the summary from Shock Till You Drop: Set in England during a world-wide viral infection, this documentary-style frightfest records the rise of the undead from the videocams of several survivor groups. As each struggles against the flesh-eating hordes, an even more horrifying fate lurks among them.

Granted, I’ve only seen the trailer and some stills, but it looks pretty damn kickass.  Take a look at the trailer and poster below. 

Release Date is set for November 18th, 2008, so mark your Zombie calendars!  And While you’re here, be sure to click the link to your right for The Backwoods Horrorshow podcast!

Keep it creepy!